Low-rent Broadway producer Max Bialystock and his high-strung accountant Leo Bloom discover that, with the help of a few gullible investors, they can make more money on a flop than on a hit. Armed with the worst show ever written and an equally horrific cast, this double-dealing duo is banking on disaster. But when their sure-to-offend musical becomes a suprise hit, they find themselves in the middle of a Broadway blitzkrieg.

Max Bialystock was once the king of Broadway, but now he only seems to be able produce flops. Things turn around for Max when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. With this in mind, they decide to produce a musical called 'Springtime...

Christian Wolff is a math savant who works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division starting to close in, he takes on a legitimate client, a robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, the body count starts to rise.

Eugene Proctor, an unlucky, mishap-prone man, is sent on a mission with a no-nonsense detective, to rescue the equally unlucky daughter of his boss.

A legendary producer and his mild-mannered accountant face catastrophe when their play unexpectedly becomes a success.

Titles included: Up in the Air; The Accountant; Table 19; and A Simple Favor.