An irreverent, hilarious, and informative look at Mexican American culture is taken by a rising star in the alternative media, as well as a new kid on the block in such mainstream venues as NPR, the Los Angeles Times, Today, and The Colbert Report. Gustavo Arellano has compiled the best questions about Mexican Americans from readers of his Ask a Mexican! column in California's OC Weekly and uses them to explore the clichés of lowriders, busboys,...

Award winning film about two undocumented Mexican day-laborers in L.A. Each day they stand on the corner at the home improvement store seeking employment. Today, the job they are given is well paid compared to their poor usual wages. Today, one of them carries a shotgun inside his backpack.

When cholera strikes San Antonio in 1843, Aurelia Ruiz discovers that she might have the power to heal-and also to curse. Meanwhile, Joseph Kimmel, a schoolteacher in Missouri and the son of a Polish Jew, learns of his brother's death in San Antonio-and sets off for Texas. Along the way, a runaway slave steals Joseph's horse. He is rescued by Henry Castro, a man who is importing immigrants to populate his planned city, Castroville-and then Joseph...

Juan Garcia Esquivel was born in Mexico and grew up to the sounds of mariachi bands. He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan's space-age lounge music popular in the fifties and sixties has found a new generation of listeners.

"Hector is trapped. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers' money for a mechanic and have not returned...." --inside front cover. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers' money for a mechanic and have not returned. Those left behind have no choice but to wait. Héctor finds a name in his friend César's phone. AnniMac....

A cumulative rhyme summarizes the life's work of renowned Mexican potter, Juan Quezada. Additional information describes the process he uses to create his pots after the style of the Casas Grandes people.

Nine-year-old Betita and her parents fled Mexico after her uncle was killed by the cartels, and settled in Los Angeles seeking political asylum and safety in what her father calls Aztlan, the land of the cranes; but now they have been swept up by by the government's Immigration Customs Enforcement, her father deported back to Mexico, and Betita and her mother confined in a family detention camp--Betita finds heart in her imagination and the picture...

When her parents are killed in a truck accident outside their poor Mexican village, Delia Yeberra is sent to live with her wealthy aunt in Palm Springs, California, but she soon discovers the dark underside of her glamorous new life as she become caught in a bitter battle whose resentment may be linked to a sinister secret, in the first volume in a trilogy.

Mackenzie's book attempts to explain and overcome cultural differences between Americans and the growing Hispanic population of the United States, specifically Mexicans. She covers all aspects the Mexican culture from childrearing to gender roles in the extended family and workplace, the value of education to Mexicans, and the social and economic barriers that rural indigenous Mexicans face.

A beautiful woman, a powerful Mexican rancher, and an exotic new breed of cattle come to John Slaughter's San Bernardino Valley ranch, along with the prospect of making a small fortune. While Slaughter's men are out keeping the peace in Tombstone, an act of betrayal turns up the heat under his own roof, and a killer is stalking Slaughter's wealthy Mexican guest. Indians suddenly savagely attack Slaughter's ranch, but it is only the first shot in a...