Episode 4.
(eVideo)
Contributors
Cousins, Mark, film director.
Andoh, Adjoa, actor.
Winger, Debra, actor.
Fonda, Jane, actor.
Fox, Kerry, actor.
Andoh, Adjoa, actor.
Winger, Debra, actor.
Fonda, Jane, actor.
Fox, Kerry, actor.
Published
[San Francisco, California, USA] : DogWoof, 2019., Kanopy Streaming, 2021.
Physical Desc
1 online resource (streaming video file) (61 minutes): digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Adjoa Andoh, Debra Winger, Jane Fonda, Kerry Fox, Sharmila Tagore, Thandie Newton, Tilda Swinton
Date/Time and Place of Event
Originally produced by DogWoof in 2019.
Description
09 STAGING: Scene staging is an element of film form pointing clearly to cinema’s origin – theatre. Kinuyo Tanaka in The Moon Has Risen uses staging to shape the scene’s invisible geometry, accentuating the tension between characters. Maren Ade in Toni Erdmann stages the scene through depth, facilitating the tragicomic punchline. And in Maria Schrader’s Stefan Zweig: A Farewell to Europe, the criss-crossing complex staging in the final scene makes the space where it takes place come alive. 10 JOURNEY: Movement is key to a motion picture, and journeys in film can be horizontal as well as vertical (into the self). Travel can be like glue and bind characters from two different worlds, like in Crane’s Confectionery where a middle class woman and working class man go on a moral journey against society. Driving can be a test of will and courage, like in Nell Shipman’s Something New. The mode of transportation itself can serve as a safe space and a social microcosm, like the car in Andrea Arnold’s American Honey. Or, like in Jennifer Kent’s The Babadook, it can take the character on a journey into their nightmares. 11 DISCOVERY: Discovery and revelation shape some of cinema’s most iconic moments. But beyond the best-known scenes, there lies the humanity, craft and in sight of discovery – like in Céline Sciamma’s Tomboy, when the mother suddenly sees her child in a new light. There’s the discovery of the opposite sex’s naked form, like in the male-gaze-flipping scene from Patty Jenkins’ Wonder Woman. Then in Sabiha Sumar’s Silent Waters the audience itself is guided through a discovery that changes everything about how they view the story.
System Details
Mode of access: World Wide Web.
Language
In English
Citations
APA Citation, 7th Edition (style guide)
Cousins, M., Andoh, A., Winger, D., Fonda, J., Fox, K., Tagore, S., Newton, T., & Swinton, T. (2019). Episode 4 . DogWoof.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Mark, Cousins et al.. 2019. Episode 4. DogWoof.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Mark, Cousins et al.. Episode 4 DogWoof, 2019.
MLA Citation, 9th Edition (style guide)Cousins, Mark,, et al. Episode 4 DogWoof, 2019.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
08ad88e9-b4e6-1401-c331-a5294fa0aadc-eng
Grouping Information
Grouped Work ID | 08ad88e9-b4e6-1401-c331-a5294fa0aadc-eng |
---|---|
Full title | episode 4 |
Author | dogwoof |
Grouping Category | movie |
Last Update | 2022-06-15 00:10:04AM |
Last Indexed | 2024-03-29 02:07:46AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jul 21, 2023 |
Last Used | Mar 11, 2024 |
Marc Record
First Detected | Aug 10, 2021 11:30:54 AM |
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Last File Modification Time | Aug 10, 2021 11:30:54 AM |
MARC Record
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518 | |a Originally produced by DogWoof in 2019. | ||
520 | |a 09 STAGING: Scene staging is an element of film form pointing clearly to cinema’s origin – theatre. Kinuyo Tanaka in The Moon Has Risen uses staging to shape the scene’s invisible geometry, accentuating the tension between characters. Maren Ade in Toni Erdmann stages the scene through depth, facilitating the tragicomic punchline. And in Maria Schrader’s Stefan Zweig: A Farewell to Europe, the criss-crossing complex staging in the final scene makes the space where it takes place come alive. 10 JOURNEY: Movement is key to a motion picture, and journeys in film can be horizontal as well as vertical (into the self). Travel can be like glue and bind characters from two different worlds, like in Crane’s Confectionery where a middle class woman and working class man go on a moral journey against society. Driving can be a test of will and courage, like in Nell Shipman’s Something New. The mode of transportation itself can serve as a safe space and a social microcosm, like the car in Andrea Arnold’s American Honey. Or, like in Jennifer Kent’s The Babadook, it can take the character on a journey into their nightmares. 11 DISCOVERY: Discovery and revelation shape some of cinema’s most iconic moments. But beyond the best-known scenes, there lies the humanity, craft and in sight of discovery – like in Céline Sciamma’s Tomboy, when the mother suddenly sees her child in a new light. There’s the discovery of the opposite sex’s naked form, like in the male-gaze-flipping scene from Patty Jenkins’ Wonder Woman. Then in Sabiha Sumar’s Silent Waters the audience itself is guided through a discovery that changes everything about how they view the story. | ||
538 | |a Mode of access: World Wide Web. | ||
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700 | 1 | |a Fonda, Jane,|e actor. | |
700 | 1 | |a Fox, Kerry,|e actor. | |
700 | 1 | |a Tagore, Sharmila,|e actor. | |
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